本片基于令人难以置信的真实事件改编，联邦探员蒂姆·巴拉德（吉姆·卡维泽 Jim Caviezel 饰）在把一个小男孩从残忍的儿童拐卖犯罪中解救出来之后，得知男孩的姐姐同样被拐，他决定冒险前去营救，但政府无法派兵到他国领土救援。时间紧迫，蒂姆辞去工作，深入哥伦比亚丛林以身犯险，誓要把女孩从生不如死的命运中解救出来。

本片基于令人难以置信的真实事件改编，联邦探员蒂姆·巴拉德（吉姆·卡维泽 Jim Caviezel 饰）在把一个小男孩从残忍的儿童拐卖犯罪中解救出来之后，得知男孩的姐姐同样被拐，他决定冒险前去营救，但政府无法派兵到他国领土救援。时间紧迫，蒂姆辞去工作，深入哥伦比亚丛林以身犯险，誓要把女孩从生不如死的命运中解救出来。

因为身体的疼痛放弃语言学校讲师一职的权（徐英华饰），去到了山上呼吸新鲜氧气调理后身体恢复了回到首尔，就在那天她来到曾经工作的学校，找回了一封厚厚的信。　　2年前，在这里曾经工作的日本人讲师阿森（加濑亮饰）曾经向她求过婚，权在思量了一晚后第二天拒绝了他，然后阿森就回到了日本，在这期间他曾来过韩国也有找她见过面。权在学校走廊看着阿森信的第一页，读完以后突然觉得很需要新鲜的空气，就在学校阶梯下来时突然眼前一蒙晕了过去，手中的信也洒在了阶梯上，而洒落一地的这些信因为没有日期而显得更加凌乱，让她更加无法依顺序来看。

电影讲述的是加濑亮出演的日本男人前往首尔，试图与他心爱的女人复合的故事。

Another thrilling adventure for Elsa the lioness as she works her magic on two teenagers struggling with changes in their life.

待业青年栗原八相信人生万般皆由命运，并亲自证实自己的理论，在东京一隅的自由之丘，八再次遇见了前日演唱过一首名叫《自由之丘》歌曲的小酒吧歌手里奈，上回他曾试图搭讪而未果，这次却奇迹般地和她发生了一夜情，这何尝不是命运使然？ 里奈问八平常做什么，八说，自由的人。 　　俊曾经梦想成为一个自由的人。他为寻找新的生活来携新婚妻子和女儿来到这座城市，几年后却发现被他曾向往的成功生活所束缚。俊在里奈身上，看见了一种自由的可能性，即不离不弃地遵循着自己的梦想，虽然它并不似能为自己带来什么。 　　里奈默默无名地在小酒吧演唱。似在追逐自己梦想，却又看不到未来。孤独的她与各种男人交往，在八身上看见无所事事的随意，又从俊窥见按部就班的规划。三人从彼此身上看见一种慰藉。是随波逐流，还是向曾有过的梦想迈出一步，去追寻一种自由？

In 1964, despite the best efforts of local civil rights activists, Mississippi remained virulently committed to segregation, underscored by the systematic exclusion of African Americans from the political process. In response, Robert Moses of the Student Nonviolent Coordinating Committee developed a campaign to bring a thousand volunteers—primarily enthusiastic young white supporters—to the state to encourage voter registration, provide much-needed education, and convene a more representative delegation to attend the Democratic National Convention. 　　Veteran director Stanley Nelson (Freedom Riders screened at the 2010 Sundance Film Festival) captures the volatile months of that summer through remarkable period footage and the firsthand testimonies of volunteers who were transformed by their time in Mississippi. With the Supreme Court recently striking down a key section of the Voting Rights Act, Nelson's film is a potent reminder of the sacrifices made half a century ago to ensure civil rights for all and the vigilance needed to protect what they accomplished. - B.T.

1955年6月，阿尔及利亚。卡迪嘉离开卡比利亚，前往阿尔及尔投奔哥哥马利克。在集市上发生争执后，马利克被警方逮捕，卡迪嘉孤身一人。幸运的是，莱斯、艾哈迈德和菲利普竭尽全力帮助她找到马利克。四个孩子在卡斯巴的屋顶上，带领着调查的进行。

Like most of the cinematographies in the world, Georgian cinema witnessed, in the mid-20th century, the appearance of a distinguished generation of filmmakers. Some years after the great waves taught in film books, the films by filmmakers from the region started being part of the programs of the most important festivals. One of those was the first feature by Rekhviashvili, one of the cases in which the formalism of the time crossed paths with a filmmaker preoccupied by politics, ethics and the arrival of modernization. Told from the perspective of a young student who returns to his native Georgia, the film shows the struggle of the people against a foreign company that tries to exploit the natural resources of their lands for commercial purposes. A historical, anachronistic study on bureaucracy, patriotism, solidarity and the bond between man and nature. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/the-georgian-chronicle-of-the-19th-century